Agent Fresco A Long Time Listening 320

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Mar 29, 2011  From Agent Fresco's amazing debut album, 'A Long Time Listening.'

After the dissolution of Nevermore in 2011, the fate of its members seemed unclear. Guitarist Jeff Loomis continued a struggling solo career and a mild side project in Conquering Dystopia before finally settling in as Arch Enemy’s rhythm guitarist. Drummer Van Williams went on to found the stunning progressive/power act Ghost Ship Octavius.

But what of vocalist Warrel Dane and bassist Jim Sheppard? Ah, yes, Sanctuary!

As the spirit of the name implies, the long-split-up project has once again become the home for Dane and Sheppard. Along with the legendary guitar chops of Nick Cordle (ex-Arch Enemy, ex-Arsis), longtime Sanctuary. Happy Monday! Hopefully your sportsball teams all fared well and you had a safe Friday The 13th free of bad luck! What’s a more lovely way to welcome a new week other than with a brand spankin’ new exclusive for you guys?

Today, we’re happy to host a new single from Aussie experimentalists Instrumental (adj.) from their upcoming EP A Series Of Disagreements. It’s some pretty cool stuff, particularly if you’re into jazz fusion or avant-garde jazz rock.

Check it out below! It’s some very experimental stuff, that’s for sure. It’s like a weird hybrid mixing the super weird stuff from King Crimson.

Ever since the hole left by the dissimulation of one of the most formative deathcore groups of the past ten years, The Tony Danza Tapdance Extravaganza, other bands have been trying to fill the void that Josh Travis and his atonal, noisy, aggressive-beyond-belief approach left in the worldwide scene. Even though Travis released a full-length with his other band, Glass Cloud, there’s been a definite lack of the sort of chaotic, rough approach that he took with Danza.

There’ve been some great Danza-inspired deathcore albums, like the most recent outing from iwrestledabearonce, and some not so great ones, but. It seems that whenever I get recommended new music, it comes from one of three places: Youtube “recommended” videos (which are usually full album streams), through staff members of our site, and through my good friend Bradley. While the first two can encompass a wide range of genres, Bradley is the strict go-to-guy for metal, and whenever I want to really get heavy, I check out what he’s jamming. Lately, I saw him talk about Lik, a Swedish death metal band that blends the sounds of early At The Gates and Entombed with modern death metal stuff like Cannibal Corpse’s newest release, and it.

That isn't the only song, he also did the vocals Contaminate me. It's kind of ridiculous that any of you would expect their to be lots of harsh vocals on a Leprous album. Einar still does harsher vocals, even on the newer stuff.but I wouldn't call them 'growlies'. I'm reminded of something Maynard from Tool said when fans kept complaining about them not being heavy enough after 10,000 Days came out. I believe it was something along the lines of progressing as a band and as people. He goes on to explain that their old albums are still there for you to listen to if you want angry Tool.or in your case, Leprous.

I actually don't mind when some of these bands go for a more arena rock sound. Dream the Electric Sheep's newest is great. I have 100 great mind bending albums in rotation, why not a few poppier ones just to belt out on summer days?

If you can pull that off my hat's off. That being said I wouldn't expect leprous down that path anytime soon. They don't just have a minimalism to them but an off beat strangeness.

I can see anyone I know digging agent fresco if they gave it a chance. Leprous is more of an acquired taste imo. I listened to the leak three times today and what struck me is the Leprous - Agent Fresco convergence. AF's most recent record was much more Leprous-like, and this Leprous record is AF-like in a lot of respects.

That said, there's snippets of Bilateral-style riffs, melodies and chord progressions, too (eg Weight of Disaster). Plus real strings. There's a lot going on.

Install gvlk key kmspico 104. But no truly heavy song. Congregation had some doozies.

Malina is lighter. In a way it's a more 'vocal' or song oriented record with more discreet nerd prog breakdowns. I was worried Einar had gone off the deep end with the vocal melismatics you hear on the live record (the word 'me' has like 4 syllables when he sings, like 'mayeeheeye'), which I can't stand. But reassuringly he sounds like his own amazing self throughout Malina.